A photograph posted to a website with a racist manifesto shows Dylann Roof, the Charleston church massacre suspect, posing with a confederate flag and a gun. Handout via Reuters
A photograph posted to a website with a racist manifesto shows Dylann Roof, the Charleston church massacre suspect, posing with a confederate flag and a gun. Handout via Reuters

Website shows manifesto of Charleston shooting suspect



CHARLESTON // A website appearing to belong to accused Charleston church shooter Dylann Roof contains white supremacist writings and dozens of photographs in which he is seen holding firearms.

It also offers a motive for the crime, one of the most shocking multiple murders of recent years, in a nation familiar with mass shootings.

“I chose Charleston because it is most historic city in my state, and at one time had the highest ratio of blacks to Whites in the country,” a text on the website reads.

US media became aware of the online manifesto only on Saturday, although it appears to have been in existence before the horrific massacre that has stunned the nation.

It was not clear who wrote the unsigned text filled with spelling mistakes, or who took the pictures of Roof, who has been charged with fatally shooting nine African Americans at a black church in the Charleston.

However, US media said the website was registered in February in the name of Dylann Roof, the 21-year old white man who has been charged with the murders of nine African-Americans at the Emanuel African Methodist Church in Charleston, South Carolina, on Wednesday.

The website showed dozens of photographs of Roof holding weapons, burning an American flag and visiting plantations and other sites that appeared to harken back to the slavery-era US South.

“We are told to accept what is happening to us because of ancestors wrong doing, but it is all based on historical lies, exaggerations and myths,” the author writes in the text of the site.

A section of the manifesto, titled “an explanation”, reads: “I have no choice. I am not in the position to, alone, go into the ghetto and fight.”

It went on: “We have no skinheads, no real KKK, no one doing anything but talking on the internet. Well someone has to have the bravery to take it to the real world, and I guess that has to be me.”

In the photographs, Roof is shown wearing a black jacket with flags from apartheid-era South Africa and Rhodesia.

Roof also is seen posing with wax reproductions of slaves in other photographs, holding a 19th-century Confederate flag from southern states where slavery was practised, standing at the site of a slave plantation, and pointing a handgun at the camera.

He appears alone in all of the pictures.

The website surfaced as mourners arrived in Charleston from around the United States to pay their respects to the victims of the attack. Services were planned throughout the day ahead of a rally in South Carolina’s state capital, Columbia, later in the evening.

Crowds began to gather at the Emanuel African Methodist Church early on Saturday.

At the memorial site in front of the church, the oldest African-American congregation in the southern United States, flowers were laid two metres deep in places.

Placards and signs offered words of solace and prayer but also frustration at another act of gun violence.

The killings in Charleston have renewed a national debate between advocates of tighter controls on gun possession and supporters of unfettered access to firearms, which they assert is protected under the US constitution.

* Agence France-Presse and Reuters

Name: Brendalle Belaza

From: Crossing Rubber, Philippines

Arrived in the UAE: 2007

Favourite place in Abu Dhabi: NYUAD campus

Favourite photography style: Street photography

Favourite book: Harry Potter

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Artist: Coldplay

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The Great Derangement: Climate Change and the Unthinkable
Amitav Ghosh, University of Chicago Press

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Basquiat in Abu Dhabi

One of Basquiat’s paintings, the vibrant Cabra (1981–82), now hangs in Louvre Abu Dhabi temporarily, on loan from the Guggenheim Abu Dhabi. 

The latter museum is not open physically, but has assembled a collection and puts together a series of events called Talking Art, such as this discussion, moderated by writer Chaedria LaBouvier. 

It's something of a Basquiat season in Abu Dhabi at the moment. Last week, The Radiant Child, a documentary on Basquiat was shown at Manarat Al Saadiyat, and tonight (April 18) the Guggenheim Abu Dhabi is throwing the re-creation of a party tonight, of the legendary Canal Zone party thrown in 1979, which epitomised the collaborative scene of the time. It was at Canal Zone that Basquiat met prominent members of the art world and moved from unknown graffiti artist into someone in the spotlight.  

“We’ve invited local resident arists, we’ll have spray cans at the ready,” says curator Maisa Al Qassemi of the Guggenheim Abu Dhabi. 

Guggenheim Abu Dhabi's Canal Zone Remix is at Manarat Al Saadiyat, Thursday April 18, from 8pm. Free entry to all. Basquiat's Cabra is on view at Louvre Abu Dhabi until October

The past Palme d'Or winners

2018 Shoplifters, Hirokazu Kore-eda

2017 The Square, Ruben Ostlund

2016 I, Daniel Blake, Ken Loach

2015 DheepanJacques Audiard

2014 Winter Sleep (Kış Uykusu), Nuri Bilge Ceylan

2013 Blue is the Warmest Colour (La Vie d'Adèle: Chapitres 1 et 2), Abdellatif Kechiche, Adele Exarchopoulos and Lea Seydoux

2012 Amour, Michael Haneke

2011 The Tree of LifeTerrence Malick

2010 Uncle Boonmee Who Can Recall His Past Lives (Lung Bunmi Raluek Chat), Apichatpong Weerasethakul

2009 The White Ribbon (Eine deutsche Kindergeschichte), Michael Haneke

2008 The Class (Entre les murs), Laurent Cantet

Our Time Has Come
Alyssa Ayres, Oxford University Press