Will you be remembered in a hundred years for what you said, for what you wrote, for what you drew? Will the songs you sang or the poems you composed, the stories you told or the designs you mapped out shape the future, and quench the thirst of future human generations to know what is beautiful and how to enjoy beauty?
Your work might be exquisite, ground breaking and pioneering, but if you are a woman, more than likely your work won’t have been captured in any literary or artistic canon. Belonging is important. It confers social, political, economic, aesthetic status. It defines the parameters of our social consciousness and the knowledge contained within it establishes the limits of what we deem possible.
Women’s voices have been systematically excluded for such canons, which is why we see so little of their work. As just one example, the earliest biography of the Prophet Muhammad was written by Ibn Ishaq about a hundred years after the Prophet’s death. The original form no longer exists, but it has come down to us as an edited version by later scholars such as Ibn Hisham. One of the reasons given for reconstructing and editing it was that it contained “many poems by women” that were removed. The edited version is now part of the canon, without the poems by women.
Women’s arts are often considered less proper than that of those of men. Think of oral histories, storytelling and fairy tales that are woven into our imaginations told to us by our mothers, but forgotten by time, versus the male scribes with access to formal channels of recording their talent.
The canon is formed by a process of selection with an inherent bias towards male production. Work by women has often been considered substandard or subversive. Those who decide on what goes into the canon are male. Those in positions where knowledge and artistic production occur tend to be male – even today our universities are dominated by men, whose academic titles confer privilege so that their work carries more authority and that they can choose which works to include.
I’ve been pondering these questions of literary immortality, legacy for humankind and contributions to knowledge and discourse this week while writing my next book. One simple reason for the absence of women’s work may just be practical – we are in charge of households and childcare, and creative production is fiendishly hard against the backdrop of children that need feeding, watering and constant loving.
Women may still be systematically excluded, and societal structures continues to lay obstacles for producing material. But I also worry that women are laying groundwork for future generations to look back on us and wonder why we were absent.
For every woman who refuses to take a photo with her work, who goes to an event but doesn’t want to be filmed, who doesn’t want to ask a question herself but writes it on a piece of paper for someone else to ask, the future will wonder where we were. For every woman who felt too nervous to be on an expert panel, who didn’t reach out to publish her book, who was too busy to write a blog, I say we owe it to our future to be present, visible and heard so that no one can write us out of history.
Shelina Zahra Janmohamed is the author of Love in a Headscarf and blogs at www.spirit21.co.uk
Manchester City 4
Otamendi (52) Sterling (59) Stones (67) Brahim Diaz (81)
Real Madrid 1
Oscar (90)
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Starring: Cate Blanchett, Kevin Hart, Jamie Lee Curtis
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The specs
Engine: 2.7-litre 4-cylinder Turbomax
Power: 310hp
Torque: 583Nm
Transmission: 8-speed automatic
Price: From Dh192,500
On sale: Now
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Our legal consultant
Name: Hassan Mohsen Elhais
Position: legal consultant with Al Rowaad Advocates and Legal Consultants.
Will the pound fall to parity with the dollar?
The idea of pound parity now seems less far-fetched as the risk grows that Britain may split away from the European Union without a deal.
Rupert Harrison, a fund manager at BlackRock, sees the risk of it falling to trade level with the dollar on a no-deal Brexit. The view echoes Morgan Stanley’s recent forecast that the currency can plunge toward $1 (Dh3.67) on such an outcome. That isn’t the majority view yet – a Bloomberg survey this month estimated the pound will slide to $1.10 should the UK exit the bloc without an agreement.
New Prime Minister Boris Johnson has repeatedly said that Britain will leave the EU on the October 31 deadline with or without an agreement, fuelling concern the nation is headed for a disorderly departure and fanning pessimism toward the pound. Sterling has fallen more than 7 per cent in the past three months, the worst performance among major developed-market currencies.
“The pound is at a much lower level now but I still think a no-deal exit would lead to significant volatility and we could be testing parity on a really bad outcome,” said Mr Harrison, who manages more than $10 billion in assets at BlackRock. “We will see this game of chicken continue through August and that’s likely negative for sterling,” he said about the deadlocked Brexit talks.
The pound fell 0.8 per cent to $1.2033 on Friday, its weakest closing level since the 1980s, after a report on the second quarter showed the UK economy shrank for the first time in six years. The data means it is likely the Bank of England will cut interest rates, according to Mizuho Bank.
The BOE said in November that the currency could fall even below $1 in an analysis on possible worst-case Brexit scenarios. Options-based calculations showed around a 6.4 per cent chance of pound-dollar parity in the next one year, markedly higher than 0.2 per cent in early March when prospects of a no-deal outcome were seemingly off the table.
Bloomberg
Fifa Club World Cup quarter-final
Kashima Antlers 3 (Nagaki 49’, Serginho 69’, Abe 84’)
Guadalajara 2 (Zaldivar 03’, Pulido 90')
Auron Mein Kahan Dum Tha
Starring: Ajay Devgn, Tabu, Shantanu Maheshwari, Jimmy Shergill, Saiee Manjrekar
Director: Neeraj Pandey
Rating: 2.5/5
TRAP
Starring: Josh Hartnett, Saleka Shyamalan, Ariel Donaghue
Director: M Night Shyamalan
Rating: 3/5
Match info
Manchester United 1 (Van de Beek 80') Crystal Palace 3 (Townsend 7', Zaha pen 74' & 85')
Man of the match Wilfried Zaha (Crystal Palace)
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Israel Palestine on Swedish TV 1958-1989
Director: Goran Hugo Olsson
Rating: 5/5
The specs
Engine: Long-range single or dual motor with 200kW or 400kW battery
Transmission: Single-speed automatic
Max touring range: 620km / 590km
Price: From Dh250,000 (estimated)
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