It was 40 years ago that I cofounded the Palestine Human Rights Campaign (PHRC) and wrote Palestinians, the Invisible Victims. I was concerned that in the American mind, the Israeli-Palestinian conflict had been reduced to a simple equation: Israeli humanity versus the Palestinian problem.
When most Americans thought of the conflict they were able to imagine Israelis as people just like them. They were parents who loved their families. They wanted what Americans wanted: peace, prosperity, and a chance to watch their children grow and realise their dreams. They had names and faces. They experienced pain and loss. They were real.
Palestinians, on the other hand, were, at best, presented as an abstraction. They were objectified into a faceless mass, without names or personalities. When spoken of at all, they were refugees or terrorists or, after a conflict, mere numbers in a body count. Americans did not know them as individual people and what was known was cast in negative stereotypes. The only emotions ascribed to them were that they were angry and violent, and not to be trusted. They were not people to be supported, but a problem to be solved.
It was through this lens that most Americans, both policymakers and the public at large, viewed the conflict. When given the choice between a people or a problem, it was an easy call to support the Israeli people.
This framing of the issue was not by accident. Rather it was the result of a systematic campaign to dehumanise the one side while humanising the other. It was best captured by the 1960s propaganda film The Exodus, which transposed the then-popular American narrative of pioneers confronting native Americans onto the story of "courageous Israelis" fighting the savage "Arab natives".
During the following decades, this framing of the conflict continued. In 1981, I reported on TV news coverage of a cross-border confrontation between Israel and the PLO in Lebanon. On the first day, two Israelis were killed. TV cameras were there interviewing weeping family members, telling their story of fear and pain. The next day, Israeli jets bombed the Fakhani neighbourhood in West Beirut killing over 383 Lebanese and Palestinian civilians. That night, the TV cameras were again in northern Israel with more follow-up interviews. There was no coverage from Lebanon, just reports of an Arab body count. When the TV coverage did occur a day later, the reporter stood at the end of a bombed-out street showing massive destruction. No one was interviewed, no personal stories were told. In Israel the story was the people, in Lebanon it was the buildings and a body count.
In 1994, when Baruch Goldstein, a young American-Israeli terrorist, massacred 29 Muslim worshippers in a Hebron mosque, The Washington Post did a major feature piece trying to understand what happened to turn the young man to violence. The faces, names and ages of the Palestinian victims never made it into print. Goldstein was the story; his victims were invisible. A few years later, a 3-month-old Israeli baby was murdered by a Palestinian sniper. The story was front-page news for three days, with pictures and interviews with the weeping parents. When, just days later, a 3-day-old Palestinian baby was murdered by an Israeli sniper, no major paper picked up the story. It was only reported on the seventh line of a short news agency story. No name was given and the parents were not interviewed. It was as if their child and their pain did not matter.
Palestinian invisibility and/or objectification continues to define the conflict today. Even the most progressive voices in Congress don't speak about Palestinians. Instead, they advocate for a two-state solution to preserve Israel as a Jewish democratic state. A liberal pro-Israel group periodically puts full-page advertisements in The New York Times and The Washington Post calling for two states, making the obscene argument of the demographic threat to the Israel's Jewishness posed by the Palestinian birth rate.
Unfortunately, progressives often unconsciously contribute to this by failing to elevate Palestinian humanity. Their efforts focus on condemning Israeli policies (which, no doubt, deserve condemnation), calling for boycotts, divestment and sanctions (BDS) against Israel. While I support BDS, I fear that, at times, the case for BDS is made without telling the personal stories of Palestinian victims of occupation. Instead of elevating Palestinians, punishing Israel becomes the goal.
And so the problem remains: Americans still do not know Palestinians as real people and, as a result, do not care about them. Because this remains the challenge we face, I have decided that 100 years after the Balfour Declaration, 70 years after the partition and 50 years after the 1967 war, I will go back to my roots to tell the Palestinian story. To do so will inevitably confront the Zionist narrative that has denied not only Palestinian humanity but also their very existence as a people with a history.
I want to elevate Palestinian poets and artists. I want to spend my energy elevating the Palestinian narrative, putting flesh on the bones of the Palestinian experience, and challenging Americans to know Palestinians as real people who want and deserve justice, equality, peace and prosperity, and as parents who love their families and want to see their children grow and realise their dreams.
Some may find this threatening because it challenges the fundamentally racist equation that has defined this conflict for a century. So be it.
Dr James Zogby is president of the Arab American Institute
On Twitter: @aaiusa
MATCH INFO
Champions League quarter-final, first leg
Manchester United v Barcelona, Wednesday, 11pm (UAE)
Match on BeIN Sports
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Thank You for Banking with Us
Director: Laila Abbas
Starring: Yasmine Al Massri, Clara Khoury, Kamel El Basha, Ashraf Barhoum
Rating: 4/5
Scoreline
Liverpool 4
Oxlade-Chamberlain 9', Firmino 59', Mane 61', Salah 68'
Manchester City 3
Sane 40', Bernardo Silva 84', Gundogan 90' 1
Cry Macho
Director: Clint Eastwood
Stars: Clint Eastwood, Dwight Yoakam
Rating:**
APPLE IPAD MINI (A17 PRO)
Display: 21cm Liquid Retina Display, 2266 x 1488, 326ppi, 500 nits
Chip: Apple A17 Pro, 6-core CPU, 5-core GPU, 16-core Neural Engine
Storage: 128/256/512GB
Main camera: 12MP wide, f/1.8, digital zoom up to 5x, Smart HDR 4
Front camera: 12MP ultra-wide, f/2.4, Smart HDR 4, full-HD @ 25/30/60fps
Biometrics: Touch ID, Face ID
Colours: Blue, purple, space grey, starlight
In the box: iPad mini, USB-C cable, 20W USB-C power adapter
Price: From Dh2,099
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Engine: 3.5-litre V6
Transmission: eight-speed automatic
Power: 290hp
Torque: 340Nm
Price: Dh155,800
On sale: now
Retail gloom
Online grocer Ocado revealed retail sales fell 5.7 per cen in its first quarter as customers switched back to pre-pandemic shopping patterns.
It was a tough comparison from a year earlier, when the UK was in lockdown, but on a two-year basis its retail division, a joint venture with Marks&Spencer, rose 31.7 per cent over the quarter.
The group added that a 15 per cent drop in customer basket size offset an 11.6. per cent rise in the number of customer transactions.
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Europe's top EV producers
- Norway (63% of cars registered in 2021)
- Iceland (33%)
- Netherlands (20%)
- Sweden (19%)
- Austria (14%)
- Germany (14%)
- Denmark (13%)
- Switzerland (13%)
- United Kingdom (12%)
- Luxembourg (10%)
Source: VCOe
Gully Boy
Director: Zoya Akhtar
Producer: Excel Entertainment & Tiger Baby
Cast: Ranveer Singh, Alia Bhatt, Kalki Koechlin, Siddhant Chaturvedi
Rating: 4/5 stars
Veil (Object Lessons)
Rafia Zakaria
Bloomsbury Academic
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Barbie
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THE BIO: Mohammed Ashiq Ali
Proudest achievement: “I came to a new country and started this shop”
Favourite TV programme: the news
Favourite place in Dubai: Al Fahidi. “They started the metro in 2009 and I didn’t take it yet.”
Family: six sons in Dubai and a daughter in Faisalabad
The specs
Engine: 3.0-litre six-cylinder turbo
Power: 398hp from 5,250rpm
Torque: 580Nm at 1,900-4,800rpm
Transmission: Eight-speed auto
Fuel economy, combined: 6.5L/100km
On sale: December
Price: From Dh330,000 (estimate)
The specs
Engine: 1.5-litre 4-cylinder petrol
Power: 154bhp
Torque: 250Nm
Transmission: 7-speed automatic with 8-speed sports option
Price: From Dh79,600
On sale: Now
Jigra
Starring: Alia Bhatt, Vedang Raina, Manoj Pahwa, Harsh Singh
Call of Duty: Black Ops 6
Developer: Treyarch, Raven Software
Publisher: Activision
Console: PlayStation 4 & 5, Windows, Xbox One & Series X/S
Rating: 3.5/5
Afghanistan fixtures
- v Australia, today
- v Sri Lanka, Tuesday
- v New Zealand, Saturday,
- v South Africa, June 15
- v England, June 18
- v India, June 22
- v Bangladesh, June 24
- v Pakistan, June 29
- v West Indies, July 4
The bio
Date of Birth: April 25, 1993
Place of Birth: Dubai, UAE
Marital Status: Single
School: Al Sufouh in Jumeirah, Dubai
University: Emirates Airline National Cadet Programme and Hamdan University
Job Title: Pilot, First Officer
Number of hours flying in a Boeing 777: 1,200
Number of flights: Approximately 300
Hobbies: Exercising
Nicest destination: Milan, New Zealand, Seattle for shopping
Least nice destination: Kabul, but someone has to do it. It’s not scary but at least you can tick the box that you’ve been
Favourite place to visit: Dubai, there’s no place like home
How to donate
Text the following numbers:
2289 - Dh10
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*numbers work for both Etisalat and du
Joker: Folie a Deux
Starring: Joaquin Phoenix, Lady Gaga, Brendan Gleeson
Director: Todd Phillips
Rating: 2/5
The specs
Engine: 2.7-litre 4-cylinder Turbomax
Power: 310hp
Torque: 583Nm
Transmission: 8-speed automatic
Price: From Dh192,500
On sale: Now
Moon Music
Artist: Coldplay
Label: Parlophone/Atlantic
Number of tracks: 10
Rating: 3/5