Illustration by Shadi Ghanim for The National
Illustration by Shadi Ghanim for The National

A Lebanese boy and a legacy of immigration in America



It was 100 years ago that my father's oldest brother crossed a continent and an ocean to come to America. Habib Rashid Zogby, 14 at the time, made the long trip with his uncle, leaving his mother, father and six siblings in Lebanon. The intention was that Habib would establish himself in the New World and prepare the way for the rest to join him.
He immediately set out to learn the ways of his new home. He established himself, found work as a peddler and dutifully sent money back to Lebanon, as was expected of the oldest son.
The First World War disrupted the family's plans. Forced to flee the oppression of the Ottomans, my father's village evacuated to the relative safety of another part of Lebanon. There my grandfather became ill and died. Only after the war ended were they able to return to their village, and it was not until 1922 that my grandmother, father, uncles and aunts were finally able to join Habib and take up residence in upstate New York.
Because of the anti-immigrant backlash that had been fostered by the war, my father Yousef was unable to get a visa and so, in order to join his family, he entered the US illegally. He lived and worked for years in fear of deportation, until the 1930s when he qualified for amnesty and was able to become a proud and productive American.
The brothers worked at odd jobs, pooled their earnings and opened a small business, which led to another and still another. A few decades later, the five brothers and two sisters were doing quite well with children in college, realising the dream that had brought them to America in the first place.
Of course, I only knew my Uncle Habib as an older man, the patriarch of the clan, who passed away 40 years ago. But I often think of him as that 14-year-old boy. He was a young teenager, alone in a strange land, and must have heard tragic news from home months after events had transpired, including his family's exodus from their village and the death of his father. I often wonder how he survived each shock, whether his hopes for the future ever dimmed and how he found the strength to keep going.
People of a certain age tend to mark the New Year by looking back instead of forward to the next. Well, I am of that age and make no apologies for it. And because this year marks a century since my Uncle Habib arrived in America, I am especially drawn to reflection.
I often think of the sweep of history that has brought me to this time and place. In just one generation, my family left their one room, stone house clinging to a hillside in the mountains of Lebanon and planted new roots to prosper in America.
What is so remarkable about this story is that it is so unremarkable. It is the same story that can be told by millions of immigrants. And it is playing out today for millions more. I love to talk to taxi drivers, cleaners, waiters and small store owners - all new immigrants - and hear their stories. Whether they are from Ethiopia, Somalia, Mexico, El Salvador, Bosnia, Yemen or Pakistan, more often than not, they are selfless heroes, like my uncle, taking risks in a new land to pave the way for their families.
Because I know where I come from, I feel a responsibility to my family's history - to the sacrifices they made allowing me to be where I am today. I know that I am the heir of their dreams and the beneficiary of their hard work. I also feel a responsibility to new immigrants whom I believe deserve the same opportunity that was provided to my father and his generation.
For this reason, it is easy to become disturbed by the current state of the American national debate over immigration and the harshness and selfishness of those espousing anti-immigrant rhetoric. In almost every instance, the people who are taking such a stance are themselves the descendants of immigrants who benefited from a welcoming America, and who now want to close the door behind them.
Many people are spoiled by the services provided by immigrants, both documented and undocumented - whether it is cleaners, farmers or builders - and want to severely limit their entry, deport them or treat with contempt these hard-working, selfless people.
There are too many examples of the shameful and arrogant conceit such as I saw displayed by two young staff members of a conservative politician. After treating their waiter, who was old enough to be their father, with disrespect, they launched into a tirade about how he was probably illegal and how it would be fun to report him. Warming up, they said "these jobs ought to be filled by unemployed Americans" who "if we cut off their unemployment insurance will be hungry enough to get jobs like waiters and kitchen helpers".
It is equally frustrating that people both on the right and the left have callously reduced immigration to a "wedge issue" to be exploited for political gain. Immigration is far more than that. It is the American story.
We should never forget that most families begin with a Habib or a Yousef. It is their stories that make America great. And there are more stories just like theirs that are being written by new immigrants every day. America owes its past and its future more than this sordid debate. Let us hope that in the New Year it can find the wisdom to do justice to its legacy.
 
James Zogby is the president of the Arab American Institute

'Spies in Disguise'

Director: Nick Bruno and Troy Quane

Stars: Will Smith, Tom Holland, Karen Gillan and Roshida Jones 

Rating: 4 out of 5 stars

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Nepotism is the name of the game

Salman Khan’s father, Salim Khan, is one of Bollywood’s most legendary screenwriters. Through his partnership with co-writer Javed Akhtar, Salim is credited with having paved the path for the Indian film industry’s blockbuster format in the 1970s. Something his son now rules the roost of. More importantly, the Salim-Javed duo also created the persona of the “angry young man” for Bollywood megastar Amitabh Bachchan in the 1970s, reflecting the angst of the average Indian. In choosing to be the ordinary man’s “hero” as opposed to a thespian in new Bollywood, Salman Khan remains tightly linked to his father’s oeuvre. Thanks dad.