Six months of pre-dawn breakfast meetings and catching up at the airport to snatch a conversation were what two brothers needed to start an art gallery.
When Gilles van den Peereboom left his job with Samsung in Seoul a year ago, he came to stay in Dubai with his older brother Etienne, who was working with ArthurDLittle as a principal and whose work meant he spent much of his week travelling.
"A time came when both of us had enough of salaried jobs," says Etienne, who quit the management consultancy in August. Etienne, 42, and Gilles, 27, launched Monda Gallery on February 19 with three artists whom the Belgian brothers had grown to appreciate during their travels.
While the Emirates has several art galleries selling original works, Monda aims to source high-quality, exclusive prints of work by global contemporary artists.
"In itself, the potential is enormous," says Patrice Molinari, a Dubai-based private equity investor. "The world market for art sales is estimated at about US$60 billion [Dh220.38bn]. There is a clear trend towards art buyers increasingly acquiring culturally strong art pieces. There is an untapped market of consumers who would like to acquire art pieces but cannot afford to pay the price for an original, and there are very limited options to acquire quality reproductions."
Dubai's art market has grown to the point where it has room for players both large and small.There are an estimated 125 galleries in the emirate.
Christie's was the first big name from the international art market to enter the Emirates. In 2006 it raised $8.5 million from its inaugural Dubai sale of international modern and contemporary art focusing on Arab, Indian and Iranian artists. Another auction house, Bonhams, followed Christie's path to Dubai and raised $13m in its first sale in 2008.
As the auction houses are reporting sales returning to pre-crisis sales levels, small galleries are thriving, too. Monda Gallery launched with 13 canvases from the Kolkata artist Arpita Kar, the Hanoi artist Nguyen Ba Tuan and the Bangladeshi-Danish artist Shefali Ranthe, who is based in Dubai. The brothers chose the artists based on their potential to make it big in the art world, and their ability to represent their countries through landscapes and people.
Ba Tuan paints the riverside of north Vietnam and has a series of monochrome canvases dedicated to Ha Long Bay. Kar's canvases portray environmental destruction amid increasing urbanisation.
Etienne van den Peereboom wants to work with the artists to develop exclusive series for Monda Gallery. "This way we can develop our collection in line with the theme we want to develop - cultures and countries from around the world - in line with what we think our customers appreciate and look for."
Like any other gallery bringing art from emerging countries to the global audience, Monda faces the question of whether it is moulding artistic expressions to suit the tastes of the global marketplace. But that possibility will always be there and artists and galleries need to sell their work, Etienne van den Peereboom says. With the limited-edition prints, the copyright remains with the artists, who enter into an agreement with Monda Gallery on the number of prints, size and cost of each frame.
While Monda Gallery does not have studio space, it is holding an exhibition at The Shelter until Thursday, to be followed by another in Dubai and, later, one in Brussels. It is also selling through its website (www.mondagallery.com) and plans to link up with stores in malls for greater visibility. By summer, the gallery expects to have about 15 artists.
The brothers have invested about $30,000 in the project and plan to start looking for investors later this year. They would like to raise $300,000 to $500,000 in the first round of funding.
The price of the prints will vary with the artists but for now it ranges from $190 for small frames to $950 for large ones "We enable [artists] to earn more from one canvas," Etienne van den Peereboom says. "We also increase the value of the original."
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Retirement funds heavily invested in equities at a risky time
Pension funds in growing economies in Asia, Latin America and the Middle East have a sharply higher percentage of assets parked in stocks, just at a time when trade tensions threaten to derail markets.
Retirement money managers in 14 geographies now allocate 40 per cent of their assets to equities, an 8 percentage-point climb over the past five years, according to a Mercer survey released last week that canvassed government, corporate and mandatory pension funds with almost $5 trillion in assets under management. That compares with about 25 per cent for pension funds in Europe.
The escalating trade spat between the US and China has heightened fears that stocks are ripe for a downturn. With tensions mounting and outcomes driven more by politics than economics, the S&P 500 Index will be on course for a “full-scale bear market” without Federal Reserve interest-rate cuts, Citigroup’s global macro strategy team said earlier this week.
The increased allocation to equities by growth-market pension funds has come at the expense of fixed-income investments, which declined 11 percentage points over the five years, according to the survey.
Hong Kong funds have the highest exposure to equities at 66 per cent, although that’s been relatively stable over the period. Japan’s equity allocation jumped 13 percentage points while South Korea’s increased 8 percentage points.
The money managers are also directing a higher portion of their funds to assets outside of their home countries. On average, foreign stocks now account for 49 per cent of respondents’ equity investments, 4 percentage points higher than five years ago, while foreign fixed-income exposure climbed 7 percentage points to 23 per cent. Funds in Japan, South Korea, Malaysia and Taiwan are among those seeking greater diversification in stocks and fixed income.
• Bloomberg
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the pledge
I pledge to uphold the duty of tolerance
I pledge to take a first stand against hate and injustice
I pledge to respect and accept people whose abilities, beliefs and culture are different from my own
I pledge to wish for others what I wish for myself
I pledge to live in harmony with my community
I pledge to always be open to dialogue and forgiveness
I pledge to do my part to create peace for all
I pledge to exercise benevolence and choose kindness in all my dealings with my community
I pledge to always stand up for these values: Zayed's values for tolerance and human fraternity
The Baghdad Clock
Shahad Al Rawi, Oneworld