Day of the Dead
Various artists
4AD
Four stars
Aaron and Bryce Dessner, two of the five members of indie rock band The National, have assembled this five-and-a-half-hour, 59 track paean to The Grateful Dead, in which a cast consisting mostly of contemporary indie bands try their hands at emulating and advancing the music of Jerry Garcia and friends.
The Dead are an integral part of American counterculture, both for their erudite, iconoclastic acid rock – which, in early albums Anthem of the Sun and Aoxomoxoa combined free jazz, improvisation and psychedelia – and for the cultural phenomenon that came with the endless live performances, the obsessive tape collectors and the sheer gargantuanism of a group that performed more than two thousand concerts and released 22 albums.
This album focuses mainly on the Dead’s output from the mid-1970s, when the tide of psychedelia receded and the band began to produce disarmingly conventional but very competent country and folk classics.
Tracks such as Franklin's Tower, St Stephen, If I Had the World to Give, Peggy-O and Shakedown Street are a natural fit for Days of the Dead's indie bands. That's why Mumford and Sons attempt Friend of the Devil, which in their hands could be the soundtrack to a mobile phone advert.
Indie folk soloist The Tallest Man on Earth performs a competent but straight cover of Ship of Fools, while Brooklyn indie-pop piece Lucius offer a Chromatics-ish take on Uncle John's Band.
The National’s own covers are disappointingly po-faced and dutiful versions of songs that the Dead constantly experimented with.
More interesting are Bela Fleck's version of Help on the Way, in which banjo is paired with tabla and cello, in a sideways nod to Garcia's bluegrass output.
Orchestra Baobab's rumba-inflected take on Franklin's Tower is a treat, while Marijuana Deathsquad's take on Truckin is anarchic and imaginative.
The Flaming Lips cover Dark Star, the Dead's science-fiction fantasia, producing a space-rock track with computerised choir, timpanis and a lot of distorted, electronic pedal notes.
Stargaze's What's Become of the Baby provides a glacial shoegaze reinterpretation of one of the Dead's most psychedelic tracks, which featured George Harrison singing in a style that Animal Collective would eventually rip off.
Few of the these bands are animated by anything close to Garcia's genius, and they mostly ignore the spontaneity and the experimentation that are central to the Dead's appeal – but Day of the Dead does at least highlight quite how many good songs the Dead wrote.
abouyamourn@thenational.ae
The specs: 2018 Volkswagen Teramont
Price, base / as tested Dh137,000 / Dh189,950
Engine 3.6-litre V6
Gearbox Eight-speed automatic
Power 280hp @ 6,200rpm
Torque 360Nm @ 2,750rpm
Fuel economy, combined 11.7L / 100km
ATP WORLD No 1
2004 Roger Federer
2005 Roger Federer
2006 Roger Federer
2007 Roger Federer
2008 Rafael Nadal
2009 Roger Federer
2010 Rafael Nadal
2011 Novak Djokovic
2012 Novak Djokovic
2013 Rafael Nadal
2014 Novak Djokovic
2015 Novak Djokovic
2016 Andy Murray
2017 Rafael Nadal
2018 Novak Djokovic
2019 Rafael Nadal
COMPANY PROFILE
Name: Almnssa
Started: August 2020
Founder: Areej Selmi
Based: Gaza
Sectors: Internet, e-commerce
Investments: Grants/private funding
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Name: HyperSpace
Started: 2020
Founders: Alexander Heller, Rama Allen and Desi Gonzalez
Based: Dubai, UAE
Sector: Entertainment
Number of staff: 210
Investment raised: $75 million from investors including Galaxy Interactive, Riyadh Season, Sega Ventures and Apis Venture Partners
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Joker: Folie a Deux
Starring: Joaquin Phoenix, Lady Gaga, Brendan Gleeson
Director: Todd Phillips
Rating: 2/5
Moon Music
Artist: Coldplay
Label: Parlophone/Atlantic
Number of tracks: 10
Rating: 3/5
COMPANY PROFILE
Founders: Alhaan Ahmed, Alyina Ahmed and Maximo Tettamanzi
Total funding: Self funded
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