In a discussion about William Shakespeare's Hamlet, there are certain phrases and expressions that you might expect to come up. The words "crazy" "exciting" "cool" and "awesome" are definitely not among them. But then, Theater Mitu's production of Hamlet/Ur-Hamlet, which has its world premiere at NYUAD Arts Center this Thursday night complete with a garage rock band performing live, is more than a little bit unexpected. In fact, it's fair to say that you won't have experienced a production of Hamlet quite like it before.
As the title suggests, Hamlet/Ur-Hamlet uses the text that the English playwright committed to paper around 1599 as source material but acknowledges that the legend of the Prince of Denmark, a young man who loses his father and suffers at the hands of his uncle, has even deeper roots in Scandinavian, European and Roman folklore. The sources that Shakespeare himself drew upon are the subject of much academic debate and the only real certainty is that it is not an original work.
It’s surely not inappropriate then that the experimental theatre company, which has been based at New York University in Abu Dhabi for the past four years, takes Shakespeare’s play as a starting point and has a kind of fun with it, mixing the company members’ individual responses to the Elizabethan work with the idea of “Hamlet” and the very many associations the name holds. The result is an hour-long piece of theatre that leaps over traditional boundaries: part dramatic performance; part art gallery of installations; part rock concert.
The 100-strong audience will be invited to explore the installations at their own pace, eating flower petals along the way, and gathering (or not) around a central performance space at intervals to listen to The Othermen perform original punk-rock songs and to watch seven members of the company perform short extracts from Shakespeare's Hamlet.
The overall arc of the performance also demands many different emotional responses from the onlooker, from the comic to the tragic, much like the Hamlet that everyone knows – or thinks they know, and there’s the rub.
"If you bring up Hamlet, even if you have never read it, you have associations," Rubèn Polendo, the founding artistic director of Theater Mitu, tells me. "The associations could be, 'it's boring' or 'I hate Shakespeare' – even that is an association. Other people say, 'it's the greatest piece of work', others 'it's literature'… I've never known an association and the source as being equally potent.
“The great revelation [during the work’s development] was that in the year 2015 as a contemporary company, our interest was not in doing Hamlet but in exploring that space between the source and the associations that people have.”
That process has taken three years and at one point a quite overwhelming amount of research into the many myths of Hamlet, textual versions of Shakespeare's play, myriad performances on stage and screen courtesy of libraries and grainy YouTube clips, as well as readings of later theatrical responses to Hamlet such as Heiner Müller's Hamletmachine (1977).
The idea of memory proved useful in curating all the material that the company created during a series of week-long laboratories, Polendo says. “One of the best ways to think about the piece is almost like entering this head that’s riddled with all the memories of what is, was, will be, has been. That’s the journey … you are travelling through all that, the personal, the academic, the emotional, the spiritual.”
The result is a "fragmented response to Hamlet with a capital H, not William Shakespeare's Hamlet," says Justin Nestor, one of Hamlet/Ur-Hamlet's co-creators as well as a performer. Dyslexic, he'd never read the play and wasn't even sure that he wanted to perform it when Hamlet was first proposed as a new artistic venture. Other company members, some of whom are well-versed in performing Shakespeare, were more enthused and this lack of a common response would eventually shape the interpretation.
"As an experimental theatre company, we are really trying to figure out how to not make an experience that is exclusive, that is only for people who appreciate that kind of work … and at the same time we were all of a sudden hitting up against this roadblock that we want to do Hamlet but how do we actually make Hamlet accessible?" he says.
“Accessible does not mean dumbing it down. It’s not about making the work more common, or more acceptable to more people, it’s actually about creating more access points.”
Those access points in a literal sense are present in Hamlet/Ur-Hamlet in the form of the 14-odd installations that ring the specially designed, Plexiglas- clad, central performance space inside NYUAD Art Center's generous Black Box Theatre. Once inside, it's up to each member of the audience how they navigate the warren of installations, some of which play video footage or audio clips while others have actors performing live in them; the content also changes at different points during the performance. Nestor describes the overall effect as a map of Hamlet or a "big theatrical graph" with each installation being a "small moment" that might almost be enjoyed independently of another.
As he explains: "It's not about Hamlet's narrative; this [installation] might be about family, or about fathers or about loss or about love. You can make all of these pieces and never say the word 'Hamlet' but if you come into something knowing that it's called Hamlet, you'll make the connections. You'll get from point A to point B."
It’s a very adult approach to theatre that demands that the audience take some responsibility for their own enjoyment: in short, you’ll get out what you’re prepared to put in. “The hope is that it’s this stimulating space but in order for that to happen – if we are going to be that ambitious in the scope of the piece – you have to have some agency, which is to say that you might not find A, B, and C interesting, and if I torture you by telling you that it’s interesting, then it becomes another kind of journey but, if you can ambulate yourself through it, there’s an authorship that you have to the experience and that’s exciting too.”
Theater Mitu is in its fifth year of residency at NYUAD and the connection to Abu Dhabi as the company's home is one that the Mexican-born Polendo takes very seriously. The liberal arts university also hosts an annual Global Shakespeare Festival, the theme of which is to understand the enduring resonance of a body of work that was first performed 400 years ago on the English stage. Those two facts make Theater Mitu's transformative, thematic approach to Hamlet highly appropriate, he says. "We have a very educated population in the core of Abu Dhabi whether it be Emirati, Arab diaspora, expatriate … What are those concerns that unify us as a city? Family is not Arab, family is not British, it is not Mexican, it is not American; it's a human experience that's happening in this city. That is interesting to me; that moves me.
“[In the same way] Shakespeare’s concerns are human. The image of Ophelia, this young girl in love who is so heartbroken that she takes her own life, is not ‘cultured’, it’s not an Elizabethan image; that’s a Mexican fear, that’s an American fear, that’s an Arab fear, so it transcends that and I love that because then, all of a sudden, we leave the folklore and enter the human.”
Inevitably, there will be traditionalists who'll be disappointed not to sit down to a performance of The Tragedy of Hamlet, Prince of Denmark, but Polendo is thoughtfully unapologetic. "I'm happy to feel like the liberties we are taking on the treatment of Hamlet we are able to take because there are and will be many opportunities for you to see Hamlet in your life. On top of that you can actually read the play; it exists as a piece."
If, reading this, you’re worried that the performance will be too lofty or downright obscure, you shouldn’t be. As Polendo says: “We get into these large-scale [discussions] … ‘When you see this you will reference the notion that Shakespeare…’ And I say ‘awesome’ because some people will get that but when my 85-year-old Mexican mother walks in and sees the show, what is she going to see?
“It’s important to me that at every single one of these [installations] there be clarity, that there be emotionality, and that the points of the puzzle, let’s say, are close enough that you can actually see that you are travelling through something, that it’s not a random collection.”
There will be moments that move you, challenge you intellectually and make you laugh, Polendo promises. “There are also moments that you will find just cool,” he says.
In graduate school, Polendo was taught that Hamlet as a play was "undirectable" but he believes the company has found a way to map the emotional and intellectual topography of the original text in a way that is difficult, if not impossible, in a more traditionally staged approach. The overall hybrid effect of an evening with Hamlet/Ur-Hamlet is "a wallop," he says, laughing. "What it is not? It is not ignorable, I will say that.
"Next week, you won't be like, 'Did I see Hamlet? I forgot.' That will not happen. And I think there is enough agency that you'll be able to create an experience that's meaningful to you."
Now that’s cool.
• Hamlet/Ur-Hamlet is being performed by Theater Mitu at the NYUAD Arts Center from Thursday to Saturday at 8pm, with an additional 2pm matinee performance on Saturday. Tickets are free of charge but registration is required. To register, visit hamletnyuad.eventbrite.com
Clare Dight is the editor of The Review.
Company%20Profile
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Three ways to limit your social media use
Clinical psychologist, Dr Saliha Afridi at The Lighthouse Arabia suggests three easy things you can do every day to cut back on the time you spend online.
1. Put the social media app in a folder on the second or third screen of your phone so it has to remain a conscious decision to open, rather than something your fingers gravitate towards without consideration.
2. Schedule a time to use social media instead of consistently throughout the day. I recommend setting aside certain times of the day or week when you upload pictures or share information.
3. Take a mental snapshot rather than a photo on your phone. Instead of sharing it with your social world, try to absorb the moment, connect with your feeling, experience the moment with all five of your senses. You will have a memory of that moment more vividly and for far longer than if you take a picture of it.
SQUADS
South Africa:
JP Duminy (capt), Hashim Amla, Farhaan Behardien, Quinton de Kock (wkt), AB de Villiers, Robbie Frylinck, Beuran Hendricks, David Miller, Mangaliso Mosehle (wkt), Dane Paterson, Aaron Phangiso, Andile Phehlukwayo, Dwaine Pretorius, Tabraiz Shamsi
Bangladesh
Shakib Al Hasan (capt), Imrul Kayes, Liton Das (wkt), Mahmudullah, Mehidy Hasan, Mohammad Saifuddin, Mominul Haque, Mushfiqur Rahim (wkt), Nasir Hossain, Rubel Hossain, Sabbir Rahman, Shafiul Islam, Soumya Sarkar, Taskin Ahmed
Fixtures
Oct 26: Bloemfontein
Oct 29: Potchefstroom
Sustainable Development Goals
1. End poverty in all its forms everywhere
2. End hunger, achieve food security and improved nutrition and promote sustainable agriculture
3. Ensure healthy lives and promote well-being for all at all ages
4. Ensure inclusive and equitable quality education and promote lifelong learning opportunities for all
5. Achieve gender equality and empower all women and girls
6. Ensure availability and sustainable management of water and sanitation for all
7. Ensure access to affordable, reliable, sustainable and modern energy for all
8. Promote sustained, inclusive and sustainable economic growth, full and productive employment and decent work for all
9. Build resilient infrastructure, promote inclusive and sustainable industrialisation and foster innovation
10. Reduce inequality within and among countries
11. Make cities and human settlements inclusive, safe, resilient and sustainable
12. Ensure sustainable consumption and production patterns
13. Take urgent action to combat climate change and its effects
14. Conserve and sustainably use the oceans, seas and marine resources for sustainable development
15. Protect, restore and promote sustainable use of terrestrial ecosystems, sustainably manage forests, combat desertification, and halt and reverse land degradation and halt biodiversity loss
16. Promote peaceful and inclusive societies for sustainable development, provide access to justice for all and build effective, accountable and inclusive institutions at all levels
17. Strengthen the means of implementation and revitalise the global partnership for sustainable development
Structural%20weaknesses%20facing%20Israel%20economy
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COMPANY%20PROFILE
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COMPANY%20PROFILE%20
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COMPANY%20PROFILE
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THE SIXTH SENSE
Starring: Bruce Willis, Toni Collette, Hayley Joel Osment
Director: M. Night Shyamalan
Rating: 5/5
SPECS
%3Cp%3E%3Cstrong%3EEngine%3A%3C%2Fstrong%3E%20Two-litre%20four-cylinder%20turbo%3Cbr%3E%3Cstrong%3EPower%3A%20%3C%2Fstrong%3E235hp%3Cbr%3E%3Cstrong%3ETorque%3A%20%3C%2Fstrong%3E350Nm%3Cbr%3E%3Cstrong%3ETransmission%3A%3C%2Fstrong%3E%20Nine-speed%20automatic%3Cbr%3E%3Cstrong%3EPrice%3A%20%3C%2Fstrong%3EFrom%20Dh167%2C500%20(%2445%2C000)%3Cbr%3E%3Cstrong%3EOn%20sale%3A%20%3C%2Fstrong%3ENow%3C%2Fp%3E%0A
The biog
Year of birth: 1988
Place of birth: Baghdad
Education: PhD student and co-researcher at Greifswald University, Germany
Hobbies: Ping Pong, swimming, reading
Blackpink World Tour [Born Pink] In Cinemas
Starring: Rose, Jisoo, Jennie, Lisa
Directors: Min Geun, Oh Yoon-Dong
Rating: 3/5
PROFILE BOX:
Company/date started: 2015
Founder/CEO: Rami Salman, Rishav Jalan, Ayush Chordia
Based: Dubai, UAE
Sector: Technology, Sales, Voice, Artificial Intelligence
Size: (employees/revenue) 10/ 100,000 downloads
Stage: 1 ($800,000)
Investors: Eight first-round investors including, Beco Capital, 500 Startups, Dubai Silicon Oasis, Hala Fadel, Odin Financial Services, Dubai Angel Investors, Womena, Arzan VC
BORDERLANDS
Starring: Cate Blanchett, Kevin Hart, Jamie Lee Curtis
Director: Eli Roth
Rating: 0/5
RESULTS
Bantamweight:
Zia Mashwani (PAK) bt Chris Corton (PHI)
Super lightweight:
Flavio Serafin (BRA) bt Mohammad Al Khatib (JOR)
Super lightweight:
Dwight Brooks (USA) bt Alex Nacfur (BRA)
Bantamweight:
Tariq Ismail (CAN) bt Jalal Al Daaja (JOR)
Featherweight:
Abdullatip Magomedov (RUS) bt Sulaiman Al Modhyan (KUW)
Middleweight:
Mohammad Fakhreddine (LEB) bt Christofer Silva (BRA)
Middleweight:
Rustam Chsiev (RUS) bt Tarek Suleiman (SYR)
Welterweight:
Khamzat Chimaev (SWE) bt Mzwandile Hlongwa (RSA)
Lightweight:
Alex Martinez (CAN) bt Anas Siraj Mounir (MAR)
Welterweight:
Jarrah Al Selawi (JOR) bt Abdoul Abdouraguimov (FRA)
The biog
Place of birth: Kalba
Family: Mother of eight children and has 10 grandchildren
Favourite traditional dish: Al Harees, a slow cooked porridge-like dish made from boiled cracked or coarsely ground wheat mixed with meat or chicken
Favourite book: My early life by Sheikh Dr Sultan bin Muhammad Al Qasimi, the Ruler of Sharjah
Favourite quote: By Sheikh Zayed, the UAE's Founding Father, “Those who have no past will have no present or future.”
UAE v United States, T20 International Series
Both matches at ICC Academy, Dubai. Admission is free.
1st match: Friday, 2pm
2nd match: Saturday, 2pm
UAE squad: Mohammed Naveed (captain), Rohan Mustafa, Ashfaq Ahmed, Shaiman Anwar, Rameez Shahzad, Amjad Gul, CP Rizwan, Mohammed Boota, Abdul Shakoor, Ahmed Raza, Imran Haider, Sultan Ahmed, Zahoor Khan, Amir Hayat
USA squad: Saurabh Netravalkar (captain), Jaskaran Malhotra, Elmore Hutchinson, Aaron Jones, Nosthush Kenjige, Ali Khan, Jannisar Khan, Xavier Marshall, Monank Patel, Timil Patel, Roy Silva, Jessy Singh, Steven Taylor, Hayden Walsh
ROUTE%20TO%20TITLE
%3Cp%3E%3Cstrong%3ERound%201%3A%3C%2Fstrong%3E%20Beat%20Leolia%20Jeanjean%206-1%2C%206-2%3Cbr%3E%3Cstrong%3ERound%202%3A%20%3C%2Fstrong%3EBeat%20Naomi%20Osaka%207-6%2C%201-6%2C%207-5%3Cbr%3E%3Cstrong%3ERound%203%3A%20%3C%2Fstrong%3EBeat%20Marie%20Bouzkova%206-4%2C%206-2%3Cbr%3E%3Cstrong%3ERound%204%3A%3C%2Fstrong%3E%20Beat%20Anastasia%20Potapova%206-0%2C%206-0%3Cbr%3E%3Cstrong%3EQuarter-final%3A%20%3C%2Fstrong%3EBeat%20Marketa%20Vondrousova%206-0%2C%206-2%3Cbr%3E%3Cstrong%3ESemi-final%3A%20%3C%2Fstrong%3EBeat%20Coco%20Gauff%206-2%2C%206-4%3Cbr%3E%3Cstrong%3EFinal%3A%3C%2Fstrong%3E%20Beat%20Jasmine%20Paolini%206-2%2C%206-2%3C%2Fp%3E%0A
Victims%20of%20the%202018%20Parkland%20school%20shooting
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RESULTS
Catchweight 82kg
Piotr Kuberski (POL) beat Ahmed Saeb (IRQ) by decision.
Women’s bantamweight
Corinne Laframboise (CAN) beat Cornelia Holm (SWE) by unanimous decision.
Welterweight
Omar Hussein (PAL) beat Vitalii Stoian (UKR) by unanimous decision.
Welterweight
Josh Togo (LEB) beat Ali Dyusenov (UZB) by unanimous decision.
Flyweight
Isaac Pimentel (BRA) beat Delfin Nawen (PHI) TKO round-3.
Catchweight 80kg
Seb Eubank (GBR) beat Emad Hanbali (SYR) KO round 1.
Lightweight
Mohammad Yahya (UAE) beat Ramadan Noaman (EGY) TKO round 2.
Lightweight
Alan Omer (GER) beat Reydon Romero (PHI) submission 1.
Welterweight
Juho Valamaa (FIN) beat Ahmed Labban (LEB) by unanimous decision.
Featherweight
Elias Boudegzdame (ALG) beat Austin Arnett (USA) by unanimous decision.
Super heavyweight
Maciej Sosnowski (POL) beat Ibrahim El Sawi (EGY) by submission round 1.
Dr Amal Khalid Alias revealed a recent case of a woman with daughters, who specifically wanted a boy.
A semen analysis of the father showed abnormal sperm so the couple required IVF.
Out of 21 eggs collected, six were unused leaving 15 suitable for IVF.
A specific procedure was used, called intracytoplasmic sperm injection where a single sperm cell is inserted into the egg.
On day three of the process, 14 embryos were biopsied for gender selection.
The next day, a pre-implantation genetic report revealed four normal male embryos, three female and seven abnormal samples.
Day five of the treatment saw two male embryos transferred to the patient.
The woman recorded a positive pregnancy test two weeks later.
Israel Palestine on Swedish TV 1958-1989
Director: Goran Hugo Olsson
Rating: 5/5
'Laal Kaptaan'
Director: Navdeep Singh
Stars: Saif Ali Khan, Manav Vij, Deepak Dobriyal, Zoya Hussain
Rating: 2/5
Pathaan
%3Cp%3E%3Cstrong%3EDirector%3A%3C%2Fstrong%3E%20Siddharth%20Anand%C2%A0%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStars%3A%3C%2Fstrong%3E%20Shah%20Rukh%20Khan%2C%20Deepika%20Padukone%2C%20John%20Abraham%C2%A0%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%203%2F5%3C%2Fp%3E%0A
Bugatti Chiron Super Sport - the specs:
Engine: 8.0-litre quad-turbo W16
Transmission: 7-speed DSG auto
Power: 1,600hp
Torque: 1,600Nm
0-100kph in 2.4seconds
0-200kph in 5.8 seconds
0-300kph in 12.1 seconds
Top speed: 440kph
Price: Dh13,200,000
Bugatti Chiron Pur Sport - the specs:
Engine: 8.0-litre quad-turbo W16
Transmission: 7-speed DSG auto
Power: 1,500hp
Torque: 1,600Nm
0-100kph in 2.3 seconds
0-200kph in 5.5 seconds
0-300kph in 11.8 seconds
Top speed: 350kph
Price: Dh13,600,000
Spider-Man: No Way Home
Director: Jon Watts
Stars: Tom Holland, Zendaya, Jacob Batalon
Rating:*****
How to protect yourself when air quality drops
Install an air filter in your home.
Close your windows and turn on the AC.
Shower or bath after being outside.
Wear a face mask.
Stay indoors when conditions are particularly poor.
If driving, turn your engine off when stationary.
Company%20Profile
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TRAP
Starring: Josh Hartnett, Saleka Shyamalan, Ariel Donaghue
Director: M Night Shyamalan
Rating: 3/5