After a chaotic period in which Travis Scott's <a href="https://www.thenationalnews.com/arts-culture/music-stage/2023/07/26/travis-scotts-utopia-concert-at-egypts-giza-pyramids-cancelled/" target="_blank">Egyptian show was cancelled</a> last minute this week, he finally released his highly anticipated fourth album, <i>Utopia</i>. The release marks another step forward in terms of dramatic production and a guest list including Beyonce, Drake and The Weeknd. However, does that star power translate into a career best effort? Here, we rank his albums from worst to best. If debut album <i>Rodeo</i> announced Scott as a star-to-be, this follow-up showed he has the sonic swag and the connections to fulfil his potential. <i>Birds in the Trap Sing McKnight</i> is stacked with star-studded artists, from The Weeknd and Kendrick Lamar to Andre 3000 and Kid Cudi. While all delivered in their respective ways, the album sounds bloated as a result and Scott plays second fiddle on too many occasions. That said, many of the club-ready tracks are undeniably thrilling, such as <i>Co-ordinate</i> with Black Youngsta and <i>Goosebumps </i>with Lamar. The sheer energy of <i>Birds in the Trap Sing McKnight </i>put the controversial seeds of the mosh pits central to Scott’s live shows. Scott’s debut album becomes more influential as the years go by. At the time of its release, the hip-hop sub-genre Trap was in a creative cul-de-sac. While <i>Rodeo</i> didn't reinvent the wheel, tracks such as <i>Antidote</i> and <i>90210</i>, with their brilliant cinematic production and Scott's unorthodox cadences, showed Trap’s mainstream appeal. The album's guest artists also made mainstream listeners take notice- with appearances by The Weeknd and a sly-sounding Justin Bieber. It's easy to hear why Scott wanted to launch his latest album with a show at the Giza Pyramids in Egypt. Everything about <i>Utopia </i>screams epic, from its 17 tracks running for nearly 80 minutes to its widescreen soundscapes. However, does <i>Utopia </i>succeed in topping <i>Astroworld?</i> The answer is it falls short, albeit slightly, from that game-changing effort due to the few throwaway tracks and lack of surprises. <i>Utopia</i> displays many of Scott’s sonic signatures, such as the woozy keyboards, dramatic synths and those thrilling “beat-switching” moments where the song flips direction suddenly. Even Drake returns for <i>Meltdown,</i> a sure-fire hit, as it’s basically a sequel to their now classic 2018 collaboration <i>Sicko Mode.</i> While impressive, and with Scott rapping better than ever, <i>Utopia </i>is more excellent than classic. This is what happens when your previous album is considered a game changer. Not since 2010's Kanye West opus <a href="https://www.thenationalnews.com/arts-culture/music-stage/2021/08/30/all-of-kanye-wests-10-solo-albums-ranked-from-donda-to-the-college-dropout/" target="_blank"><i>My Beautiful Dark Twisted Fantasy</i></a><i> </i>has a hip-hop album arrived so fully realised. With <i>Birds in the Trap Sing McKnight</i>’s success, Scott could have continued with a pop-centric approach. However, he bravely takes a left turn to create an album more obsessed with detail and nuances than anthems. Tracks such as the aforementioned <i>Sicko Mode</i> and <i>Butterfly Effect</i> are meant to be luxuriated in with good headphones. Scott’s heavily modified voice also acts as its own instrument with his yelps, screams and undulating rhyme patterns. That single mindedness and sheer creativity of <i>Astroworld</i> makes the album a modern-day hip-hop classic.