Chloe Zhao's <em>Nomadland </em>cemented its <a href="https://www.thenationalnews.com/arts-culture/film/academy-awards-to-go-without-a-host-for-third-year-hoping-to-attract-high-profile-presenters-1.1189641">Oscar</a> front-runner status on Wednesday, winning the top award at the 32nd annual Producers Guild of America Awards. <em>Nomadland</em>, Zhao's recession-era portrait of itinerant people in the American West, is only the second film directed by a woman to win the Darryl F Zanuck Award for Outstanding Producer of Theatrical Motion Pictures. The other was Kathryn Bigelow's <em>The Hurt Locker</em> in 2010. In a delayed, virtual and very long awards season that has marched along during the pandemic with little of the usual pomp, declaring a clear front-runner has been challenging. But if any film could claim that mantle, it's <em>Nomadland</em>, winner of the <a href="https://www.thenationalnews.com/arts-culture/film/golden-globes-2021-the-full-list-of-winners-1.1175057">Golden Globe</a> for Best Motion Picture – Drama. Zhao, too, is considered the favourite for <a href="https://www.thenationalnews.com/arts-culture/film/oscars-2021-two-women-nominated-for-best-director-for-the-first-time-in-awards-history-1.1184744">Best Director</a> at the Oscars. If she does win, she would only the second female director to do so, again after Bigelow. <em>Nomadland</em>, made for less than $5 million and with many non-professional actors, is an unusually low-budget winner for the PGA honour, which has traditionally gone to larger-scale productions. "In a year where we have been all been leading such isolated lives and movies felt so vital, we are proud to have produced a film about community and what connects us," said producer Peter Spears, accepting the award in a taped message. The PGA Awards are watched especially closely as an Oscar bellwether. The producers use the same preferential ballot as the film academy, and its best-picture fields often mirror each other. This year, the producers nominated a few films the Academy passed over for best picture (<em>Borat Subsequent Moviefilm</em>, <em>One Night in Miami</em>, <em>Ma Rainey's Black Bottom</em>) while skipping one that landed the Oscar nomination: <em>The Father</em>. In the 11 years since the Oscars expanded the Best Picture category, the two groups have picked the same winner eight times. They differed in 2020, when the guild chose <em>1917</em> and the Academy crowned <em>Parasite</em>; in 2017, when <em>La La Land</em> triumphed with the PGA and <em>Moonlight</em> won the Oscar; and in 2016, when the <em>The Big Short</em> topped the Producers' Awards and <em>Spotlight</em> won the Academy Award. Other awards went to Pixar's <em>Soul</em> for animated film and <em>My Octopus Teacher</em> for documentary. Wednesday's awards were held virtually and pre-taped for an invite-only audience. Opening the ceremony, <em>black-ish</em> actor Tracee Ellis Ross said of the show: "This, in and of itself, is an experiment in producing."