A street scene of Lahore in 1946, months before Partition. Margaret Bourke-White / Time & Life Pictures / Getty Images
A street scene of Lahore in 1946, months before Partition. Margaret Bourke-White / Time & Life Pictures / Getty Images

This Is Not That Dawn: India and Pakistan in the time of Partition



Any reader who has a feeling for the rigours and small miracles of novelistic composition is especially likely to be transported by the awesome narrative freedom and strength of the great long novels of world literature. Having broken through the walls of artistic and formal finitude over hundreds of pages of scene-setting, plot-threading and character tracking, such novels, or novel sequences – IB Singer's The Family Moskat, Proust's In Search of Lost Time, Naguib Mahfouz's Cairo Trilogy, Orhan Pamuk's The Museum of Innocence – seem almost to write themselves, continuously unspooling and ramifying in the same way as life. Indeed, it seems a diminution of life to have to break with their company.

On one level, of course, the great long novels represent nothing more than an especially massy story – a map of human motion and connection on a grand scale. But is that all? Their size would be (and sometimes is) worth very little if we did not also take away from them the extended experience of mind, of an encounter with not just a world but a subtle, disembodied intelligence – the narrator – observing and occasionally annotating its ferment. To observe a story-world for weeks, even months, in concert with a novelistic narrator is to return to the world outside the book to find something strangely absent, or limited, or silent about it. Sometimes when we find ourselves missing the characters of a novel, what we are actually missing is the narrator.

This is the experience we take away from the Indian novelist Yashpal's massive novel Jhootha Sach (literally The False Truth), first published in Hindi in two volumes in 1958 and 1960, and now translated into English for the first time as This Is Not That Dawn. The novel is over 1,100 pages long, but it is long only in an absolute sense, not relative to the dozens of characters it describes, the ideas it explores, and the narrative time (and indeed geographical space) it traverses.

Following a family from their roots in a gali, or lane, in the great city of Lahore (now in Pakistan) to a new life in the cities of north India over the 1940s and 1950s, Yashpal's novel takes as its central, world-changing event the partition in 1947 of colonial India into the nation states of India and Pakistan. The bloodbath that resulted from this massive, uncontrolled two-way migration of peoples across the new boundaries of what was formerly undivided Punjab – Hindus streaming east into India from what had now become Pakistan, Muslims west into Pakistan in the fear that they would have no place in a new Indian nation state – took at least a million lives. Partition left a gash on the psyche of the Indian subcontinent that has never quite healed, and that inflames the politics of both countries, as well as Bangladesh, to this day.

The novel's central characters are two siblings, Jaidev and Tara Puri, who live in a small, tightly knit Hindu community in a lane called Bhola Pandhe's Gali in the old walled city of Lahore. Among the ways in which Yashpal's novel links the lives and loves of its middle-class characters to the great churning in the public sphere of Lahore and Delhi in the 1940s is by setting them within the overlapping worlds of journalism, literature and education in Lahore (no other Indian novel is so much in love with the idea of the newspaper, and the newspaper's power as a voice of reason in the public sphere). Puri is an idealistic young writer and journalist who has already served a prison sentence for the cause of the freedom movement. Tara is a college student excited by the intellectual freedom of the university – one that is not available in the world of the gali, with its family and gender hierarchies – but troubled by her engagement to a man she hardly knows.

In the novel’s opening movement, we see Puri (as he is called by the narrator) vexed by his inability to find a job and the social obstacles in the way of his marrying Kanak, the daughter of a prosperous publisher. Tara, meanwhile, feels that her world will come to an end if she is made to marry Somraj Sahni, her loutish fiance. But these problems pale into insignificance compared to the crisis that suddenly appears like a dark cloud over Lahore, as the British prepare to leave India. The Hindus of Bhola Pandhe Gali fear that Lahore might be ceded, as part of the two-nation theory that has gained currency in undivided India, to the new, primarily Muslim nation state of Pakistan.

“What if there’s a Pakistan or there’s a Hindustan? We’re Lahorites, neighbours of Doongi Gali,” declares one of the family’s optimistic friends. But as the book shows, this cosmopolitan vision of history and community has little chance against the drumroll of nationalism, and the combustible fear of the other lying just beneath the surface of the subcontinent’s social life.

Yet the novel also shows us that, at the time, Partition was not imagined to be a complete sealing-off of two geographically and culturally contiguous territories from each other, as turned out to be the case eventually. People left behind their homes, families, cities and countries imagining that they would soon be back once things had settled. But often they never returned, or returned to find that everything they owned had been taken.

The paradox most strikingly explored by the novel is that the very (allegedly foundational) categories of Hinduism and Islam that were the basis of Partition proved powerless, despite their scriptural emphasis on peace and justice, to stop the cataclysms of violence visited by each side upon the other. People of both sides looted, killed and raped, “all in the name of God”, as one character sorrowfully observes.

Repeatedly in This Is Not That Dawn, characters are shown jettisoning their private moral compasses because they are convinced that blood must be spilled to avenge the spilling of blood. Yashpal's novel, on a scale equal to the complexity of the matter at hand, shows us how the question of justice is rarely contemplated by human beings in the abstract, or outside the pressures of time or frame of history – and that in a crisis, this tendency can prove to be mortal while continuing to believe itself moral. These conceptions of "comparative justice" are still doing the rounds of the subcontinent to this day, as during the gruesome religious riots in the state of Gujarat in 2002.

If This Is Not That Dawn is nevertheless a deeply pleasurable book, it is because it offers a world so vividly imagined that the quotidian acquires the same significance as the apocalyptic. The novel is steeped in meaningful details that reveal the networks and pressures of space, gender ("the afternoons in the galis belonged to the women ... If a male had to come back to the gali for some reason, he would clear his throat loudly to warn the women"), family and tradition in the small, hermetic world of Bhola Pandhe's Gali in Lahore, and then out across the fields of city and nation.

As both Puri and Tara are thrust out into the world – Puri when he leaves Lahore in search of a job; Tara when she is abducted by a Muslim man after escaping from Sahni’s house on the night of her wedding – they are forced to bear the violence and derangement of Partition upon their bodies and then, finding themselves still alive, decide what to make of their battered selves. Although it appears for the longest time that Puri, with his idealism, his love of language, his political vision and his diligence, is the book’s hero, we see him gradually sinking, over a thousand pages, under the weight of his own worldly power in the new Indian republic and somewhat insecure masculinity – an unforgettable narrative arc. Revealingly, it is his involvement with the Indian National Congress that gradually leaches the idealism from Puri.

Instead, it is Tara, the apparently helpless, brutalised victim, who slowly gathers strength and makes an independent life for herself in the Indian capital, Delhi, watching out not just for herself but for other women in trouble. The storyline reveals not just Yashpal’s feminism – once she has a modicum of power and agency, Tara repeatedly resists any attempts to return her back to a normative world of female deference and duty – but also his emphasis on the individual’s right to dissent from the collective.

This Is Not That Dawn was written just a few years after the Indian constitution offered a new vision of rights, responsibilities and secular freedom to Indian citizens – a vision of a political order more egalitarian and enabling than any previously held in the history of the subcontinent. It might be thought to be the narrative and novelistic companion to that document, all the more compelling because its worldview is implied – parcelled out into the experiences and reflections of dozens of characters, and across the novelistic timespan of nearly two decades – and not spelt out from above.

Ten years into the life of the new nation, Yashpal sat down to compose an epic story, scrubbed free of nationalist cant, about the passion and tragedy that attended its birth. In doing so, he produced the first great novel about the ideals and implications of a new view of Indianness, a novel whose mingled vision of realism and idealism rings true to this day.

Chandrahas Choudhury is the author of the novel Arzee the Dwarf, to be published this May in German as Der kleine König von Bombay.

Thank You for Banking with Us

Director: Laila Abbas

Starring: Yasmine Al Massri, Clara Khoury, Kamel El Basha, Ashraf Barhoum

Rating: 4/5

Moon Music

Artist: Coldplay

Label: Parlophone/Atlantic

Number of tracks: 10

Rating: 3/5

FFP EXPLAINED

What is Financial Fair Play?
Introduced in 2011 by Uefa, European football’s governing body, it demands that clubs live within their means. Chiefly, spend within their income and not make substantial losses.

What the rules dictate? 
The second phase of its implementation limits losses to €30 million (Dh136m) over three seasons. Extra expenditure is permitted for investment in sustainable areas (youth academies, stadium development, etc). Money provided by owners is not viewed as income. Revenue from “related parties” to those owners is assessed by Uefa's “financial control body” to be sure it is a fair value, or in line with market prices.

What are the penalties? 
There are a number of punishments, including fines, a loss of prize money or having to reduce squad size for European competition – as happened to PSG in 2014. There is even the threat of a competition ban, which could in theory lead to PSG’s suspension from the Uefa Champions League.

The Buckingham Murders

Starring: Kareena Kapoor Khan, Ash Tandon, Prabhleen Sandhu

Director: Hansal Mehta

Rating: 4 / 5

WEST ASIA RUGBY 2017/18 SEASON ROLL OF HONOUR

Western Clubs Champions League
Winners: Abu Dhabi Harlequins
Runners up: Bahrain

Dubai Rugby Sevens
Winners: Dubai Exiles
Runners up: Jebel Ali Dragons

West Asia Premiership
Winners: Jebel Ali Dragons
Runners up: Abu Dhabi Harlequins

UAE Premiership Cup
Winners: Abu Dhabi Harlequins
Runners up: Dubai Exiles

UAE Premiership
Winners: Dubai Exiles
Runners up: Abu Dhabi Harlequins

COMPANY PROFILE
Name: ARDH Collective
Based: Dubai
Founders: Alhaan Ahmed, Alyina Ahmed and Maximo Tettamanzi
Sector: Sustainability
Total funding: Self funded
Number of employees: 4
SPEC%20SHEET%3A%20APPLE%20M3%20MACBOOK%20AIR%20(13%22)
%3Cp%3E%3Cstrong%3EProcessor%3A%3C%2Fstrong%3E%20Apple%20M3%2C%208-core%20CPU%2C%20up%20to%2010-core%20CPU%2C%2016-core%20Neural%20Engine%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EDisplay%3A%3C%2Fstrong%3E%2013.6-inch%20Liquid%20Retina%2C%202560%20x%201664%2C%20224ppi%2C%20500%20nits%2C%20True%20Tone%2C%20wide%20colour%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EMemory%3A%3C%2Fstrong%3E%208%2F16%2F24GB%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EStorage%3A%3C%2Fstrong%3E%20256%2F512GB%20%2F%201%2F2TB%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EI%2FO%3A%3C%2Fstrong%3E%20Thunderbolt%203%2FUSB-4%20(2)%2C%203.5mm%20audio%2C%20Touch%20ID%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EConnectivity%3A%3C%2Fstrong%3E%20Wi-Fi%206E%2C%20Bluetooth%205.3%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EBattery%3A%3C%2Fstrong%3E%2052.6Wh%20lithium-polymer%2C%20up%20to%2018%20hours%2C%20MagSafe%20charging%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECamera%3A%3C%2Fstrong%3E%201080p%20FaceTime%20HD%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EVideo%3A%3C%2Fstrong%3E%20Support%20for%20Apple%20ProRes%2C%20HDR%20with%20Dolby%20Vision%2C%20HDR10%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EAudio%3A%3C%2Fstrong%3E%204-speaker%20system%2C%20wide%20stereo%2C%20support%20for%20Dolby%20Atmos%2C%20Spatial%20Audio%20and%20dynamic%20head%20tracking%20(with%20AirPods)%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EColours%3A%3C%2Fstrong%3E%20Midnight%2C%20silver%2C%20space%20grey%2C%20starlight%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EIn%20the%20box%3A%3C%2Fstrong%3E%20MacBook%20Air%2C%2030W%2F35W%20dual-port%2F70w%20power%20adapter%2C%20USB-C-to-MagSafe%20cable%2C%202%20Apple%20stickers%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EPrice%3A%3C%2Fstrong%3E%20From%20Dh4%2C599%3C%2Fp%3E%0A
COMPANY%20PROFILE
%3Cp%3E%3Cstrong%3EName%3A%20%3C%2Fstrong%3EKinetic%207%3Cbr%3E%3Cstrong%3EStarted%3A%3C%2Fstrong%3E%202018%3Cbr%3E%3Cstrong%3EFounder%3A%3C%2Fstrong%3E%20Rick%20Parish%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Abu%20Dhabi%2C%20UAE%3Cbr%3E%3Cstrong%3EIndustry%3A%3C%2Fstrong%3E%20Clean%20cooking%3Cbr%3E%3Cstrong%3EFunding%3A%3C%2Fstrong%3E%20%2410%20million%3Cbr%3E%3Cstrong%3EInvestors%3A%3C%2Fstrong%3E%20Self-funded%3C%2Fp%3E%0A
Call of Duty: Black Ops 6

Developer: Treyarch, Raven Software
Publisher:  Activision
Console: PlayStation 4 & 5, Windows, Xbox One & Series X/S
Rating: 3.5/5

How to protect yourself when air quality drops

Install an air filter in your home.

Close your windows and turn on the AC.

Shower or bath after being outside.

Wear a face mask.

Stay indoors when conditions are particularly poor.

If driving, turn your engine off when stationary.

The specs

Engine: 1.5-litre turbo

Power: 181hp

Torque: 230Nm

Transmission: 6-speed automatic

Starting price: Dh79,000

On sale: Now

Company%20profile
%3Cp%3E%3Cstrong%3ECompany%20name%3A%3C%2Fstrong%3E%20Fasset%0D%3Cbr%3E%3Cstrong%3EStarted%3A%20%3C%2Fstrong%3E2019%0D%3Cbr%3E%3Cstrong%3EFounders%3A%3C%2Fstrong%3E%20Mohammad%20Raafi%20Hossain%2C%20Daniel%20Ahmed%0D%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Dubai%0D%3Cbr%3E%3Cstrong%3ESector%3A%20%3C%2Fstrong%3EFinTech%0D%3Cbr%3E%3Cstrong%3EInitial%20investment%3A%3C%2Fstrong%3E%20%242.45%20million%0D%3Cbr%3E%3Cstrong%3ECurrent%20number%20of%20staff%3A%3C%2Fstrong%3E%2086%0D%3Cbr%3E%3Cstrong%3EInvestment%20stage%3A%3C%2Fstrong%3E%20Pre-series%20B%0D%3Cbr%3E%3Cstrong%3EInvestors%3A%3C%2Fstrong%3E%20Investcorp%2C%20Liberty%20City%20Ventures%2C%20Fatima%20Gobi%20Ventures%2C%20Primal%20Capital%2C%20Wealthwell%20Ventures%2C%20FHS%20Capital%2C%20VN2%20Capital%2C%20local%20family%20offices%3C%2Fp%3E%0A
Some of Darwish's last words

"They see their tomorrows slipping out of their reach. And though it seems to them that everything outside this reality is heaven, yet they do not want to go to that heaven. They stay, because they are afflicted with hope." - Mahmoud Darwish, to attendees of the Palestine Festival of Literature, 2008

His life in brief: Born in a village near Galilee, he lived in exile for most of his life and started writing poetry after high school. He was arrested several times by Israel for what were deemed to be inciteful poems. Most of his work focused on the love and yearning for his homeland, and he was regarded the Palestinian poet of resistance. Over the course of his life, he published more than 30 poetry collections and books of prose, with his work translated into more than 20 languages. Many of his poems were set to music by Arab composers, most significantly Marcel Khalife. Darwish died on August 9, 2008 after undergoing heart surgery in the United States. He was later buried in Ramallah where a shrine was erected in his honour.

MATCH DETAILS

Chelsea 4 

Jorginho (4 pen, 71 pen), Azpilicueta (63), James (74)

Ajax 4

Abraham (2 og), Promes (20). Kepa (35 og), van de Beek (55) 

COMPANY PROFILE
Name: HyperSpace
 
Started: 2020
 
Founders: Alexander Heller, Rama Allen and Desi Gonzalez
 
Based: Dubai, UAE
 
Sector: Entertainment 
 
Number of staff: 210 
 
Investment raised: $75 million from investors including Galaxy Interactive, Riyadh Season, Sega Ventures and Apis Venture Partners
MATCH INFO

Al Jazira 3 (O Abdulrahman 43', Kenno 82', Mabkhout 90 4')

Al Ain 1 (Laba 39')

Red cards: Bandar Al Ahbabi (Al Ain)

A%20Round%20of%20Applause%20
%3Cp%3E%3Cstrong%3EDirector%3A%3C%2Fstrong%3E%20Berkun%20Oya%0D%3Cbr%3E%3Cstrong%3EStarring%3A%20%3C%2Fstrong%3EAslihan%20G%C3%BCrb%C3%BCz%2C%20Fatih%20Artman%2C%20Cihat%20Suvarioglu%0D%3Cbr%3E%3Cstrong%3ERating%3C%2Fstrong%3E%3A%204%2F5%3C%2Fp%3E%0A

The Arts Edit

A guide to arts and culture, from a Middle Eastern perspective

      By signing up, I agree to The National's privacy policy
      The Arts Edit