Controversy surrounds new Millennium thriller, The Girl in the Spider’s Web

The fourth novel in Stieg Larsson's Millennium series is finally out, and publisher Norstedts kept the plot shrouded in secrecy. Not everyone was happy about the choice of Swedish journalist David Lagercrantz to write the fourth instalment.

Swedish journalist and best-selling author David Lagercrantz. Jonathan Nackstrand / AFP

With secret codes and locked-down communications, Swedish publisher Norstedts has kept the plot of the sequel to the best-­selling Millennium crime trilogy, which was released on Thursday, shrouded in secrecy.

The mystery is fitting for the sci-fi spy intrigue The Girl in the Spider's Web, the eagerly awaited dark thriller written 11 years after the death of the series' creator, Stieg Larsson.

Prior to publication, very few people had read the 500-page tome – just translators and editors – that continues the story of tattooed computer hacker Lisbeth Salander and journalist Mikael Blomkvist.

And Norstedts gave fans only a small sneak preview.

“One night professor Frans Balder, a leading authority within AI [artificial intelligence] research, calls up Blomkvist,” Norstedts published on its website.

“Balder says he has world-­shattering information on US intelligence services. He has also had contact with a female ­super hacker, who bears a certain resemblance to a person Blomkvist knows well.”

The thriller was keenly awaited by devoted readers. The first three Millennium books, published from 2005 to 2007, have sold 80 million copies worldwide and have been made into Swedish and Hollywood movie ­adaptations.

But before the fourth instalment even went to press, it was already enveloped in scandal.

Among the book’s detractors is Eva Gabrielsson, who was Stieg Larsson’s partner for 32 years until he died suddenly of a heart attack in 2004 at age 50.

The couple were not married and Larsson left no will, so his estate went to his brother and father. Gabrielsson, 61, lost a bitter battle with them to manage his work.

To write the trilogy’s sequel, Larsson’s brother and father chose David Lagercrantz – a Swedish journalist best known for writing football star Zlatan Ibrahimovic’s official biography – a “totally idiotic choice”, Gabrielsson said in February, saying he knew nothing of the milieu Larsson described in the books.

The writing of the novel was shrouded in secrecy, with the author, editors and translators working on computers disconnected from the internet to avoid leaks.

“We saw how Sony Pictures got hacked in 2013 and we didn’t want to get hacked,” Norstedts spokeswoman Linda Altrov Berg said.

“We have made things more expensive for ourselves,” she said in her office near Stockholm’s Old Town.

For the translations, the novel was delivered by courier to the publishing houses who owned the rights to the first three ­volumes.

A slew of confidentiality agreements were signed and no interview with the author could be printed before the book was released last Thursday.

But some accuse Norstedts, Stieg Larsson’s heirs and Lagercrantz of milking a cash cow.

In Sweden's paper of reference, Dagens Nyheter, Larsson's childhood friends recently compared the publication of the fourth tome to "grave robbing".

Norstedts has rejected the criticism, saying the novel doesn’t tarnish Larsson’s memory.

Altrov Berg insisted Lagercrantz was not like a “ghostwriter who imitated Stieg’s voice. It’s his own book”.

In Gabrielsson’s eyes, however, the book is only seeing the light of day because of greed.

“Every publishing house in the world publishes books to make money. They’re not charities,” countered Altrov Berg. Norstedts will not talk about the book’s expected sales.

Larsson's heirs have, however, said they plan to donate the royalties to the anti-racist magazine Expo, co-founded by Larsson.

For literary critic Mats Svensson, the money issue is typical of Swedish publishers’ increasingly aggressive business strategies.

“The big Swedish publishing houses, just like the Anglo-Saxon ones, are increasingly being run like regular businesses, expected to produce high returns and rising sales ... Norstedts ... has gone from churning out books to churning out profits,” Svensson lamented.

"This is a book commissioned by the survivors and the publisher. They want to continue to make money off the franchise that's been built up around the Millennium trilogy," agreed Sara Karrholm, a literature professor at Lund University.

The novel will have no trouble finding an audience, she said.

“There are so many people who liked the characters ... and want to know what becomes of them.”

"You can sort of compare the Millennium sequel to a new season of a TV series: you want to follow it because you want to continue your acquaintance with the characters," Karrholm said.

Norstedts insists it has no plans for a fifth instalment and tried to play down the hype a few days before the release date.

“It’s just a book. The readers will decide,” Altrov Berg says.

Around 2.7 million copies went on sale in 25 countries on ­Thursday and in the United States ­today.