'Long Distance' (1976-2005) by Ted Joans.
Tate Modern and the Metropolitan Museum of Art's Surrealism Beyond Borders exhibition tracks the art movement's global development from the 1920s to the 1950s. Photo: Tate
'Visa Without a Planet' (1983-1990) by Abdel Kader El Janabi. All photos: PA, unless otherwise specified.
'Self Portrait' (1937-1938) by Leonora Carrington. Photo: Tate
'May 68' (1968-1973) by Joan Miro.
'Lobster Telephone' by Salvador Dali (1938).
'The Enigma of Isidore Ducasse' (1920, remade in 1972) by Man Ray is a sewing machine wrapped in wool.
'Surrealist Wardrobe' (1941) by Marcel Jean.
Journals 'Arsenal: Surrealist Subversion, No 1' (1970); 'Arsenal: Surrealist Subversion, No 2' (1973) and 'Arsenal: Surrealist Subversion, No 3' (1976).
'Time Transfixed' (1938) by Rene Magritte.
'Chiki, Your Country' (1944) by Leonara Carrington.
'Long Distance' (1976-2005) by Ted Joans.
Tate Modern and the Metropolitan Museum of Art's Surrealism Beyond Borders exhibition tracks the art movement's global development from the 1920s to the 1950s. Photo: Tate
'Visa Without a Planet' (1983-1990) by Abdel Kader El Janabi. All photos: PA, unless otherwise specified.
'Self Portrait' (1937-1938) by Leonora Carrington. Photo: Tate
'May 68' (1968-1973) by Joan Miro.
'Lobster Telephone' by Salvador Dali (1938).
'The Enigma of Isidore Ducasse' (1920, remade in 1972) by Man Ray is a sewing machine wrapped in wool.
'Surrealist Wardrobe' (1941) by Marcel Jean.
Journals 'Arsenal: Surrealist Subversion, No 1' (1970); 'Arsenal: Surrealist Subversion, No 2' (1973) and 'Arsenal: Surrealist Subversion, No 3' (1976).
'Time Transfixed' (1938) by Rene Magritte.
'Chiki, Your Country' (1944) by Leonara Carrington.
'Long Distance' (1976-2005) by Ted Joans.
